A lovely debut from Ali Robertson (was actually a few weeks ago, but I’m still working through a backlog). This is a real strong pop track that makes me think we’ll be hearing more great things from Mr. Robertson in the near future.
The chorus of this one is gorgeous. The way they cut out the vocals and create the tape-deck sound of old. MMMMMMM. As much as I love this track (which I do), I feel like it’s also due for a remix. All the components of this song are just begging to be mixed up in a blender and re-imagined.
I do not remember who to thank, but wherever I stubled upon Bad Gal… you introduced me to the Mick-Jenkins sounding vibes of Trapo. While Bad Gal is a stellar track in it’s own right, Sobriety is the one that most caught my attention. Any hip hop that can get me bobbing along is a surefire winner in my books.
ACK. Is this not some of the loveliest, breakbot-esque French disco you’ve heard in the past few months? The crooning “ooohs” in the background, the pulsing piano, the gentle lyrics… it even have some layered vocals near the end. SO NICE.
Before I even hit play I was pretty sure this would be my favourite song of the week. I also moved it up to the top of the queue, bypassing a whole whack of songs sitting in my backlog that I haven’t gushed about yet. BUT C’MON. It’s James Blake. The man with the voice. Lovely voice aside, there’s something in James Blake’s music that draws me (and millions others apparently) in. His songs are often a bit “off beat” and have me struggling to time my swaying in proper rhythm. He is a master of off-tempo, and this one is a great example. I’m just fascinated by that one piano note he hits just a fraction of a second earlier than expected. I can’t help but focus on it every time I listen to this… and because I’ve been obsessed with it, that’s been quite often. I can totally see this song being looped during a live show. Speaking of which… James, you need to come to Vancouver and play ASAP.